history
In winning his first Wimbledon championship in 1934 Fred Perry bucked a trend. Firstly - he was English, the first Englishman to win the tournament in 25 years. Secondly, he was the son of a cotton spinner - neither the 'gentleman' nor aristocrat usually associated with the prestigious competition. A committee member famously snubbed the working class hero by consoling his loosing opponent that 'the best man certainly didn't win.'
Perry never forgot those words - his determination to conquer the world of tennis was fired in part by a healthy disrespect for the establishment.
Towards the end of the 1940s, Perry was approached by former Austrian Tibby Wegner footballer with an idea for marketing a sports sweatband. The original design was made from bath towel material and 'weighed a ton'; a redesigned prototype was lighter, softer and more pliable and the pair were in business. After developing the infamous laurel logo from the Wimbledon wreath, they marketed the sweatband to top players at international tournaments, persuading them to wear them on court and from that moment Fred Perry Sportswear was launched.
From day one, Fred Perry sportswear found its way to the heart of youth culture. Undoubtedly, the most iconic piece of clothing associated with the brand is the pique cotton polo shirt. Fred called it the 'shirt that fits', it was adopted by body conscious tennis stars and a generation of subcultures alike. Initially only available in block colours, the famous collar and cuff tipping were added later but otherwise the M12 shirt sold today remains exactly the same.
A series of subcultures embraced the Fred Perry look. Mods, Skinheads, Suedeheads, Rude Boys, Northern Soul, Two Tone and the short lived Perry Boys. And then came the Casuals. The 80s and early 90s were a time for reappraisal as youth culture turned towards 'designer' brands and imported sportswear.
With strong cultural ties to sporting and music scenes, today a talented in-house design team have bought a catwalk edge to each collection. Led by the limited distributed Laurel range, collaborations continue with Raf Simons re-inventing timeless Perry classics while Blank Canvas - a collection currated by new fashion talent including Peter Jensen and Ann-Sofie Back - encourages a rebellious streak at the core of the brand's values.
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